Workmen’s Compensation

Starring: Bill Eld, Jim Hughes, Ray Todd, Donny
Director Uncredited
Falcon Studios
55 Minutes

Apparently, back in the 80s it was still possible to receive a complimentary in-room fuck with your daily allotment of fresh white linen. Even at the shabbiest of roadside establishments. This is exactly what happens at the beginning of Workmen’s Compensation as the camera ushers us into the bathroom of just such as motel where a smooth and horny young stud, who looks a LOT like Joey Ramone, is assiduously lathering his lengthy cock and pendulous balls. Enter California Roadside Motel Employee of the Summer of 1983 with new bath towels and a saucy glint in his eye. Luckily, the shower curtain hangs untouched as the award-winning employee hangs washcloths on the flimsy racks and pretends, momentarily, that he doesn’t notice that the motel guest in the shower is vigorously stroking himself. Fast forward to the aforementioned Free Fuck where the guest’s mammoth penis disappears again and again into the hard-working employee’s tight ass.

The blue-collar theme is completely abandoned in the next two sequences that feature back-to-back threesomes and various toys. The first looks to have been filmed in a hotel room somewhere in California, but it is so incredibly nondescript that it is impossible to determine if it’s in the same complex as the one from the beginning of this fine, fine Falcon release. Both threesomes (one indoor, one outdoor) feature a sort of strap-IN dildo apparatus that keeps one member of each trio artificially screwed for the duration of the action.

A young hitchhiker, dressed like an Ivy League dropout from the 70s, gets picked up by a huge American car somewhere in the wilds of Southern California and is promptly serviced by the man in the back seat. That is, until they pull over and he starts sucking on the hitcher’s toes in another roadside lodging. 69ing happens just before the grateful traveler slips his wandering dick into the appreciative motorist and compensates him vigorously for his kindness.

There is some brief enema and fisting action in Workmen’s Compensation, but the best part of this classic release (aside from the totally asynchronous overdubbing) is the music. For just under an hour, the soundtrack rocks out like it got confused and was supposed to support an infomercial, or help to sell a timeshare in Key West, or pump up the positive vibes in an after school special.

Redwood

Starring: Will Clark, Alec Powers, Brad King, Thomas Lloyd, Austin Woods, Craig Stevens, Peter Roth, Joshua Michaels
Directed by Bruce Cam
Titan Media
84 Minutes

Will Clark and Craig Stevens open this nature lover’s dream as Will immediately buries his face into one of Craig’s pits somewhere in a remote part of the Fern Falls Resort on the Russian River. The two of them dispense with the formalities of their clothing in record time. Will is built, aggressive, and fair while his partner is darker and smoother. They smack and spit at each other through a brief foreplay until Craig runs his tongue through the crack of Will’s fine, fine ass. A 69 ensues and both prove to be experts in the art of giving head. The aerial shots are phenomenal!

The couple moves locations and resume what they’ve started inside on a plank laid across a dry creek. Will gets pounded nicely from behind as Craig services his eager hole out in the open air. Will’s ass, with its dusting of reddish fur, then rides a dildo deftly until they both shoot their respective love all over Craig’s torso.

Austin is then woken from a sound sleep in the greenhouse by Thomas’s tongue moving across his bare chest. Austin doesn’t seem to mind much and, before you know it, his cock is disappearing into Lloyd’s mouth. Austin returns the favor and sucks on the cock and balls offered from above as Thomas rides his face for a bit and then his ass for a bit longer. The daybed groans along with Woods until Lloyd shoots a massive load on his back (he shoots for distance, too!)

Alec Powers and Brad King then step off the beaten path for a little afternoon delight among the trees. Alec wears boxers, while Brad sports briefs and this must be another case of opposites attracting and getting it on in the woods. Alec is the first to go down on the appreciative King, but tables are soon turned and Alec’s husky encouragements make Brad work that uncut trunk in his mouth pretty hard. Powers gets rimmed against a tree, but Brad is the one to ultimately bottom against the same Redwood.

There is a prolonged solo sequence before Redwood concludes with Josh Michaels servicing Peter Roth and Craig Stevens through meticulously carved glory holes. That boy is talented and keeps both of them rock hard as Roth and Stevens maul one another on the other side. Meanwhile, elsewhere in the forest, Austin, Alec, and Brad are having their own threesome. The first ménage later migrates to join the second and, well, you do the math...